MAINTENANCE OF CONCERTINAS (INTERNAL and
EXTERNAL
(by
Ambrose Kodet and Jerry Minar)
Cleaning
1. Pledge or Liquid
Gold
Polish wood and
celluloid covered instruments
2. Goo Gone
Removes grime and
sticky materials
3. 4/0 Steel Wool
shines stainless
steel bellow parts
4. Metal polish
Tarnite metal
polish, Braso, Wendl, removes
tarnish from metal parts on old concertinas
It is always safest to
clean the bottom first if in doubt. Be sure to periodically examine
the bellows for loose trim parts. Loose corners (metal on celluloid)
should be repaired. If the bellows appears to be weak or caving in
it should promptly be reinforced by a qualified repair shop.
Bellows; remove dust
and crud carefully with a soft brush. The colored foil on the
bellows is very delicate and also highly prone to fading.
Beware:
No harsh chemicals (i.e. Auto polish, Acetone)
Could result
in removing stones and repainting and resetting the stones.
Could result
in removing celluloid, replacing celluloid, re-engraving, and
resetting stones.
Storage
Wipe down after
you finish playing especially if sweat is on the instrument. Sweat
eventually will remove the paint.
Leave instrument
outside the case to air dry.
Do not
store instruments in a basement (unless finished basement has a
dehumidifier).
-- Example of instrument
stored in a basement was a double reed purchased over eBay by
Ambrose Kodet (about a 1910 instrument from Chicago near the
railroad coal
station).
~
--Example of a HENGEL
concertina stored in a wood pile for security reasons resulted in
moldy bellows, staves, and warped inside parts.
Do not store in a
hot attic
Keeping the
concertina in the carrying case allows for a more gradual transition
to dramatic humidity changes.
Note: Any repair or cleaning on the inside of the
instrument should be left to a qualified repair shop. Do not
disassemble things you do not understand.
1. Burn marks from
dropped live ashes. Impossible or at best difficult to remove.
2. Heat (automobile
trunk in the summer sun) can melt reed wax and can be stressful to
delicate parts
3. Cold (Minnesota,
Midwest winters) allow the instrument to warm up before playing. Leave
the instrument it in the case to warm up. This reduces the risk of
condensation occurring.